apocalypse now opening scene analysis

The Opening Sequence in Star Wars – Episode IV: A New Hope. The movie, Apocalypse Now, describes the nature of the Vietnam War in a way that is very different from any other film on the subject of the war. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. At the very start you see the jungle which is very still and peaceful until you see a helicopter fly across the screen as this happens smoke appears to rise from the bottom of the frame. Change ), Analysis of the Sniper Kill Scene from the film Full Metal Jacket, An Analysis of the Opening Scene from the film Apocalypse Now, Courage vs. a Loss of Innocence in “On the Rainy River”, The Death of Curt Lemon and Rat Kiley’s Loss of Innocence, The Death of Linda and Tim O’Brien’s Loss of Innocence. The powerful opening scene of the film Apocalypse Now is a masterpiece of symbolism. A little bit of elaboration on the quotes may help make them even more solid. This coupled with the lighting and smallness of the room gives the impression that he is trapped both physically and mentally. To help with the change of scene the constant helicopter fan is swapped with that of the fan in the room of the character as if that is what is bringing back his memories. I'am 16 years old and attend Latymer Sixth Form and am currently studying Media at AS level. This passage directly reflects the effect that the Vietnam War had on some of the people that were involved with it. The opening sequence of Apocalypse Now is very interesting in the contrast of effects and music. Change ), You are commenting using your Google account. The film is also unique in the sense that it follows the story of Captain Willard and his special mission of eliminating rogue general Kurtz. Web. Opening Sequence Analysis: Apocalypse Now The opening sequence of Apocalypse Now is very interesting in the contrast of effects and music. Next we see the faded face of a man upside down as if he is laying down. The Opening Scene in The Fellowship of the Ring. The movie itself delves into the darker themes of the war such as the use of drugs by the soldiers and the rogue army generals that have defected and joined the Viet Cong. This smoke could suggest the burning of something. The viewer, in the very first scene of this Francis Ford Coppola sensation, can see this. This is a scene that I discussed in class, where Willard meets with three men in the private quarters of a general, and is given his mission to kill Colonel Kurtz. It is then clear to the viewer that he has gone mad when we see the express and anger of his movements that he has lost the plot and is desperate to escape the horrors that war has placed upon his mind. Willard could not find a way of coping with the war so he kept on going back to fight because it was the only thing he knew anymore. ( Log Out /  It is an American film about the Vietnam conflict. Themes are the fundamental and often universal ideas explored in a literary work. The look in his eyes shows the audience that he is remembering what war is like and the horrors of it. This quotation shows how for Mary Ann the Vietnam War intrigued her and captured her mind as this idea is directly associated with the film clip. The novella setting was changed from late 19th-century Congo to the Vietnam War (1969–70) instead, as the film follows a river journey from South Vietnam into Cambodia undertaken by Captain Benjamin L. Willard (a character based on Conrad’s Marlow and played by Sheen), who is on a secret mission to assassinate Colonel Kurtz (Brando, with the character being based on Conrad’s Mr. Kurtz), a renegade Army Special Forces officer accused of murder and who is presumed insane. Seunghyun Lee. Harvey Keitel was cast only to be soon replaced by Martin Sheen, who later suffered a heart attack on set. Change ), You are commenting using your Facebook account. The breaking of the mirror could also signify that he is angry at what he has become and wants to destroy that side of him, and in doing his he cuts himself and therefore bleeds which then covers him in blood which adds to the assumption that he is mad. Also the camera uses a lot of extreme close ups on him and therefore makes the change of his state of mind all the more intense. The example of Mary Anne and how Vietnam changed her is a powerful one. You come over clean and you get dirty and then afterward it’s never the same,” (O’Brien, 109). The room that he is in is very small and the opposite to the vastness of the previous scene, also the lighting is dark and blinds create bars of light as if he is trapped and wants to get back to the jungle which he also expresses in his speech. After this it moves to s seen which is set later in the day due to light outside, and the music gets much more intense as we see more extreme close ups and more of the burning jungle. Marlon Brando’s unexpected weight problems—no pun intended—proved an additional burden for Coppola and the crew, as they were forced to alter the screenplay. I liked the quotes you used and felt that they were strong and you found a great connection between O’Brien’s ideas and those expressed In Apocalypse Now. The choice of music is fairly strange as it is quite peaceful which doesn't fit with the helicopters that are passing the camera, then all a sudden the once peaceful jungle in front is set alight and the whole mood of the film changes and music drowns out the explosions. 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The screenplay, co-written by Coppola and John Milius and narration written by Michael Herr, was loosely based on the 1899 novella Heart of Darkness by Joseph Conrad. This clip itself is one of great significance because it outlines Captain Willard’s own mental fatigue and how the war truly had an effect on his mind. An Analysis of the Opening Scene from the film Apocalypse Now Posted on December 8, 2012 by zeltnerj The movie, Apocalypse Now, describes the nature of the Vietnam War in a way that is very different from any other film on the subject of the war. In the novel The Things They Carried by Tim O’Brien there is a scene that is very reminiscent of Willard’s thought process that he outlines in the first few lines of the movie. What do you make of this? As soon as Mary Ann came to Vietnam she began to lose her innocence until it was completely taken away. Symbolism is used as the main film strategy in Francis Ford Coppola's film about the Vietnam War. Change ), You are commenting using your Twitter account. A lot of superlatives have been attached to Francis Ford Coppola’s 1979 Vietnam War epic Apocalypse Now, it’s every bit as mesmerizing, trippy, and poetic as it was when it stunned audiences back in 1979. The clip outlines how when Willard was not fighting he wished to back in the war and fighting in the jungle and when he was fighting he wished that he was back home.

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